粵語現代音樂創意研究‎ DECODING CANTONESE CREATIVITY
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    • Intelligible Tone-interval 協音指南 >
      • Ascending Contours ‎‎‎‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎ 上行聲調
      • Descending Contours ‏‏‎ ‎‏‏‎ ‎ 下行聲調
      • Level Tones 同調
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TONE-INTERVAL INTERFACE 協音指南

 The following data are collected through perception tests conducted with native Cantonese speakers, who had to choose musical intervals (within the range of a major 9th, or 14 semi-tones) that they considered intelligible for each combination of tone succession.
團隊早前與粵語母語使用者進行聆聽實驗。實驗者需要為每個粵語聲調組合辨識協音音程(函蓋大九度,即十四個半音距離之內的所有音程)。以下為部分實驗數據。


​Ascending Contours
Descending Contours
Level Tones
​Level Tones

Tone Combination

Intelligible Interval(s)*

Ranking**

1-1 (e.g. 東京)

Unison

N/A

2-2 (e.g. 影響)

Unison, M2, m3

Unison>m3>M2

3-3 (e.g. 過去

Unison

N/A

4-4 (e.g.麻煩)

Unison

N/A

5-5 (e.g.永遠)

Unison

N/A

6-6 (e.g.命運)

Unison

N/A

Key: 
m2 = minor 2nd; M2 = major 2nd; m3 = minor 3rd; M3 = major 3rd; P4 = perfect 4th; A4 = augmented 4th; d5 = diminished 5th; 
P5 = Perfect 5th; m6 = minor 6th; M6 = major 6th; m7 = minor 7th; M7 = major 7th; P8 = Octave; m9 = minor 9th; M9 = major 9th
*Intelligible Intervals:  intervals that over 75% of respondents considered intelligible for at least one of its occurrence in a diatonic scale.
**Ranking: intervals ranked in descending order according to 
percentage of respondents who find them intelligible, rounded to the nearest 0.01%.
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  • Home 首頁
  • About 簡介
  • Media 媒體
  • Resources 資源
    • Melody Generator ‏‏‎ ‎‏‏‎ ‎‏‏‎‏ ‎‏‏‎ ‎ ‎‏‏‎ ‎‏‏‎ ‎ 廣東話旋律生成器
    • Intelligible Tone-interval 協音指南 >
      • Ascending Contours ‎‎‎‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎ 上行聲調
      • Descending Contours ‏‏‎ ‎‏‏‎ ‎ 下行聲調
      • Level Tones 同調
    • Canto Choral Database廣東話合唱資料庫
  • Conference 研討會
    • Call for Scores 樂譜徵集
    • Schedule 日程